A Sri Lanka Rupavahini Corporation Training Academy

National Television Academy logoNational Television AcademySri Lanka Rupavahini Corporation

Student Life

Learning inside a working broadcaster

Academy life follows the rhythm of production: rehearsals, rigs, recordings and reviews, alongside a trilingual community of performers and technicians.

The Studio Environment

Your classroom has a lighting grid

Students work to studio discipline from week one — call times, comms, floor etiquette and equipment care are taught alongside the craft itself.

Anchoring practice in the studioCamera setup during a practical sessionDrama rehearsal in progressVoice recording booth

Experience

What your term looks like

Studio-Based Learning

Scheduled access to broadcast studios, galleries and control rooms.

Practical Production Work

Crewed productions where every student rotates through real roles.

Student Showcase

End-of-term screenings of student drama, bulletins and short films.

Industry Workshops

Guest sessions with directors, editors and broadcast engineers.

Media Equipment Access

Cameras, lighting kits, editing suites and recording booths.

Peer Creative Community

A trilingual cohort of performers, technicians and storytellers.

Equipment

Media equipment you will use

  • Broadcast studio cameras and pedestals
  • Studio lighting grids and portable kits
  • Teleprompters and autocue systems
  • Sound-treated recording booths
  • Field ENG camera kits
  • Non-linear editing workstations

Workshops

Industry guest sessions

  • Directing for Multi-Camera Drama

    Guest session — [PLACEHOLDER date]

  • Newsroom Ethics & Accuracy

    Guest session — [PLACEHOLDER date]

  • Colour Grading for Television

    Guest session — [PLACEHOLDER date]

  • Building a Professional Showreel

    Guest session — [PLACEHOLDER date]

Showcase

Every student leaves with work to show

Graduating cohorts screen their teledramas, bulletins and showreels at an end-of-term showcase attended by academy staff and industry guests.